Previous Work

December 2011: “What Does Your Practice Look Like?” and “Deities as Role Models” published in Year One: A Year of Humanistic Paganism.

November 2011: Guest post “Deities as Role Models” appears at Humanistic Paganism.

October 2011: “Restorying the Sacred” column debuts at No Unsacred Place.

September 2011: Guest post “Story-killers” appears on Clarion Foundation blog.

August 2011: Guest post “What Does Your Practice Look Like” May 2011: Guest post “Who Edits You?” appears on Clarion Foundation blog.

January 2011: “The Water’s Fine”, co-written with Nichole Carey, premieres at Theatre Unbound’s 24:00:00 Xtreme Theatre Smackdown.

November 2010: “I’m from Mattawan, MI” chosen for inclusion in the I’m from Driftwood book.

August 2010: “The Path to ‘I Do’” published in Circle magazine.

August 2010: “Deep Roots, Deep Magic” published in Issue #21 of Witches & Pagans magazine.

July 2010: My short story “Queen of Ships” wins the Scott Imes Award in the 2010 Geek Partnership Society Writing Contest.

January 2010: “The Weed on the Floss,” in Steampunk Tales #5.

November 2009 : My short essay, “I’m From Mattawan, MI,” appears in the LGBT life stories blog I’m From Driftwood.

February 2009: A new issue of Whistling Shade brings a new column of “The Theater Machine,” this time examining Albert Camus’ Caligula.

November 2008: “Head to Head: A Lettuce Comparison,” “The Reality of Carbon Offsets,” and “Environmental Impacts of Air Travel” published in the Do It Green! Minnesota 2009 annual edition.

October 2008: “The Theater Machine,” my theater preview column, premieres in the Whistling Shade literary journal.

February 2008: “The Order of the Four Legs,” co-written with Ben Layne, premieres as part of Theatre Unbound’s 24:00:00 Xtreme Theatre Smackdown.

August 2007: Bye-Bye, Beirut, a one-woman spoken-word memoir, premiered as part of the14th annual Minnesota Fringe Festival.

April 2007: “Uncommon Vintage” published in Best Date Ever: True Stories that Celebrate Lesbian Relationships (Alyson Books).

February 2007: “A ‘Shroom of One’s Own,” co-written with Elissa Mautner, premieres as part of Theatre Unbound’s 24:00:00 Xtreme Theatre Smackdown.

October 2006: “‘We Do’ - On Our Terms” published in We Don’t Need Another Wave: Dispatches from the New Generation of Feminism (Seal Press).

August 2006: “Tess’s Lament (She’s Come Undone),” co-written with Betty Liedtke, performed as part of Theatre Unbound’s Best of the 24-Hour Plays at the Minnesota Fringe Festival.

August 2005: I perform “It’s Hell Turning Sixty” as part of At Least One Shoe in the Minnesota Fringe Festival.

March 2005: “Fischtick,” co-written with Kathy Coudle King, premieres as part of Theatre Unbound’s 24:00:00 Xtreme Theatre Smackdown.

November 2004: I perform scenes from Windsmith at Patrick’s Cabaret.

August 2004: I perform “The Hebrew Word for Tapeworm” as part of Agog in the Minnesota Fringe Festival.

February 2004: I perform “The Hebrew Word for Tapeworm” as part of Verbal Intercourse at Patrick’s Cabaret.

January 2004: “The Vengeance Exam,” co-written with Buirge Jones, premieres as part of Theatre Unbound’s 24:00:00 Xtreme Theatre Smackdown.

January 2004: I read “The Bright Light at 50k” and selections from my novel-in-progress, The Ballad of Bandric Keep, for the SASE The Write Place GLBT reading series at Patrick’s Cabaret.

August 2003: I perform “When Bookworms Attack!” as part of Verbal Intercourse at Patrick’s Cabaret.

March 2003: “Tess’s Lament (She’s Come Undone)” premieres as part of Theatre Unbound’s 24:00:00 Xtreme Theatre Smackdown.

May 2000: “What to Do When You Have No Mother: the Consequences of Motherlessness in Macbeth and King Lear” earns Macalester College’s Harry Scherman Award for Critical Writing.